The Ambivalence in the Metaphor Life is Wine from the song “No I in Threesome” by Interpol: The Semantic Analysis of the Lyrics of a Post-Punk Revival Song
The song with lyrics can be seen as a poetic text due to the evidence of figures of speech, images, and symbolism, as well as, phonetic resources that reflect the musicality of poetic language. In this sense, the post-punk revival band Interpol wrote No I in Threesome, the account of a persona tryin...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Costa Rica |
| Institución: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Idioma: | inglés |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/41400 |
| Acceso en línea: | https://revistas.ucr.ac.cr/index.php/rlm/article/view/41400 |
| Access Level: | acceso abierto |
| Palabra clave: | Literary analysis, song, poetry, post-punk, Interpol, metaphor análisis literario, canción, poesía, post-punk, Interpol, metáfora |
| Sumario: | The song with lyrics can be seen as a poetic text due to the evidence of figures of speech, images, and symbolism, as well as, phonetic resources that reflect the musicality of poetic language. In this sense, the post-punk revival band Interpol wrote No I in Threesome, the account of a persona trying to convince his significant other to have a threesome. This song includes the metaphor life is wine, which makes explicit the poetic value of the song. But not only that, the metaphor also shows how a statement, in this case a statement part of a literary text, can have different meanings. |
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