EN EL SÉPTIMO CÍRCULO DE DANIEL GALLEGOS: NOTAS PARA UNA LECTURA ESCÉNICA NEO-EXPRESIONISTA
This paper first of all speaks about the dramatic of Latin-American theatre and the place of Daniel Gallegos playsinside this possible corpus, defined under the concept of “classics latinamerican theatre”. It begins a brief discussionabout the place of the different dramaturgies of countries and reg...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2013 |
| País: | Costa Rica |
| Recursos: | Universidad de Costa Rica |
| Repositório: | Portal de Revistas UCR |
| Idioma: | espanhol |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/6469 |
| Acesso em linha: | https://revistas.ucr.ac.cr/index.php/kanina/article/view/6469 |
| Access Level: | Acceso aberto |
| Palavra-chave: | gallegos daniel neo-expressionism latin american theater staging expression of violence neo-expresionismo teatro latinoamericano escenificación expresión de la violencia |
| Resumo: | This paper first of all speaks about the dramatic of Latin-American theatre and the place of Daniel Gallegos playsinside this possible corpus, defined under the concept of “classics latinamerican theatre”. It begins a brief discussionabout the place of the different dramaturgies of countries and regions of Latin America and their reduce circulationand escenification us an integrated corpus, it gives a result of very few cultural interchange in the continentaldramaturgic level. The election of Daniel Gallegos play for a new escenification with the National Companyof Theatre in Costa Rica in the context of FIA (International Festival of Arts) express the relation between thedramatic text and the representation, under the election of a neo-expressionist esthetic. Finally it speaks about a playconstruction since to En el Séptimo Circulo drama. |
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