The reception of Fascism in the “cordel-jornal” Mussoli: the dictator by Arinos de Belem
This paper attempts the popular literature of interpretative keys about the Fascism. As a corpus, we used the “cordel” "Mussolini, the dictator" of Arinos de Belém. This work, is the result of the research question: how concepts of fascist ideology as nation/nationalism and fascism as an a...
| Autores: | , |
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Brasil |
| Recursos: | Universidade Federal de Santa Catarina (UFSC) |
| Repositorio: | Em Tese (Florianópolis) |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufsc.br:article/80324 |
| Acesso em linha: | https://periodicos.ufsc.br/index.php/emtese/article/view/80324 |
| Access Level: | acceso abierto |
| Palavra-chave: | Cordel Fascismo Mussolini Arinos de Belém Facism |
| Resumo: | This paper attempts the popular literature of interpretative keys about the Fascism. As a corpus, we used the “cordel” "Mussolini, the dictator" of Arinos de Belém. This work, is the result of the research question: how concepts of fascist ideology as nation/nationalism and fascism as an alternative to liberalism and communism were received in the “cordel-jornal” analyzed. It is aimed at this analysis to bring this poetic production to large world historical themes. This essay is divided into two parts: at first, we deal with the context of “cordel” and “cordel-jornal” production, as well as we point out the importance of the trajectory of Arinos de Belém as a pioneer of this subtype. In the second, we work with some theoretical visions about fascism, with particular attention to its ideology, and we also analyzed the corpus from the pointed theoretical lenses. |
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