Podcast poetry: reading, performance and atmosphere in “Águas de Kalunga”, wrote by Conceição Evaristo and narrated by Elisa Lucinda
The intention is to show, from the audio-poem “Águas de Kalunga”, written by Conceição Evaristo and performed by the Brazilian actress, poet and journalist, Elisa Lucinda, how the poem engenders atmospheres, narrative performances and a poetics capable of awakening various experiments and stimuli in...
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| Format: | article |
| Status: | Published version |
| Publication Date: | 2020 |
| Country: | Brasil |
| Institution: | Universidade Estadual do Oeste do Paraná (UNIOESTE) |
| Repository: | Travessias (Cascavel. Online) |
| Language: | Portuguese |
| OAI Identifier: | oai:ojs.e-revista.unioeste.br:article/24582 |
| Online Access: | https://e-revista.unioeste.br/index.php/travessias/article/view/24582 |
| Access Level: | Open access |
| Keyword: | Audio-poem performance podcast body. Áudio-poema corpo. |
| Summary: | The intention is to show, from the audio-poem “Águas de Kalunga”, written by Conceição Evaristo and performed by the Brazilian actress, poet and journalist, Elisa Lucinda, how the poem engenders atmospheres, narrative performances and a poetics capable of awakening various experiments and stimuli in the reader. In this way, evidencing innumerable times, realities, intersubjective perspectives, and even crises, traumas, political-social, cultural and symbolic conflicts. For that, we will resort to theoretical contributions that concern the performance character that a literary text itself can express. We will also resort - in order to dialogue with the new and deconstructed theoretical methodologies - to perspectives that make use of a better articulation of the body, its becomings and intersubjectivities, likewise Jota Mombaça tenses his reflections on “anti-colonial justice”, the decolonial turns and the body as manifest. |
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