Hypermodern aspects in the short story “O importado vermelho de Noé”, by André Sant’anna
The objective of this article is to critically discuss the tale “O importado vermelho de Noé”, by the writer André Sant’Anna (2007), present in the book Sexo e amizade, from the perspective of Gilles Lipovetsky’s reflections (2004) on the fundamental aspects which constitute the hypermodernity. We f...
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| Format: | article |
| Status: | Published version |
| Publication Date: | 2018 |
| Country: | Brasil |
| Institution: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repository: | letrônica |
| Language: | Portuguese |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/26338 |
| Online Access: | https://revistaseletronicas.pucrs.br/letronica/article/view/26338 |
| Access Level: | Open access |
| Keyword: | André Sant’Anna Gilles Lipovetsky Hypermodernity Contemporary Brazilian narrative. Hipermodernidade Narrativa brasileira contemporânea. |
| Summary: | The objective of this article is to critically discuss the tale “O importado vermelho de Noé”, by the writer André Sant’Anna (2007), present in the book Sexo e amizade, from the perspective of Gilles Lipovetsky’s reflections (2004) on the fundamental aspects which constitute the hypermodernity. We focus on our critical reading of the possible dialogues between André Sant’Anna’s tale and the discussions of Gilles Lipovetskyto bring them closer to verify certain converging aspects between these two discourses, such as consumption, velocity, as well as the resignifications in the relations that hypermodern individuals establish with time. |
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