Desiertos de amor (2018) de Raúl Zurita: entre poesía, imagen y voz
After a brief contextualization of the author's biography, I present the volume Desierto de amor (2018) by Raúl Zurita, realized with González y Los Asistentes (music) and Massimo Giacon (comic), as a significant example of a hybrid literary product that mixes poems, music and comics. The trans...
| Author: | |
|---|---|
| Format: | article |
| Status: | Published version |
| Publication Date: | 2021 |
| Country: | Brasil |
| Institution: | Universidade de São Paulo (USP) |
| Repository: | Caracol (São Paulo. Online) |
| Language: | Spanish |
| OAI Identifier: | oai:revistas.usp.br:article/175938 |
| Online Access: | https://www.revistas.usp.br/caracol/article/view/175938 |
| Access Level: | Open access |
| Keyword: | Poesía Cómic Transmedialidad Música Poetry Comic Transmediality Music |
| Summary: | After a brief contextualization of the author's biography, I present the volume Desierto de amor (2018) by Raúl Zurita, realized with González y Los Asistentes (music) and Massimo Giacon (comic), as a significant example of a hybrid literary product that mixes poems, music and comics. The transmedial and trimodal work uses different media that merge each other. The poem, a migrant text halfway between slam poetry and poetry in music, alternates and superimposes itself on music and poetry comix. Reflecting on the potentialities of transmediality and intersemiotic translation, I analyze how transcoding into other languages brings added value to the poetic text because it creates an intertextual dialogue that produces a new reception mechanism. The visual and auditory reading takes place in a different space and time, with new expressive modalities and ways of reaching the addressee. |
|---|