Sexualidade(s) nas artes e desconstrução de géneros, como as relacionar? Uma abordagem a partir da, e direcionada para a desconstrução dos géneros na versão cénica de A casa de Bernarda Alba, de João Garcia Miguel
Although genders are a construction of Man, it is not easy, even with the efforts of countless activities, to deconstruct this binarism globally. Theater and Art in general can, however, contribute to building the idea that genres (among other issues) are transitional, transversal and/or transformab...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Brasil |
| Recursos: | Universidade do Estado da Bahia (UNEB) |
| Repositorio: | Pontos de Interrogação (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistas.uneb.br:article/4076 |
| Acesso em linha: | https://www.revistas.uneb.br/index.php/pontosdeint/article/view/v13n3p55 |
| Access Level: | acceso abierto |
| Palavra-chave: | A casa de Bernarda Alba João Garcia Miguel Género Sexualidade The House of Bernarda Alba Gender Sexuality |
| Resumo: | Although genders are a construction of Man, it is not easy, even with the efforts of countless activities, to deconstruct this binarism globally. Theater and Art in general can, however, contribute to building the idea that genres (among other issues) are transitional, transversal and/or transformable. With the specific case of A casa de Bernarda Alba, in the stage version by João Garcia Miguel, the author gives an example of how theater can dialogue with society in the problematization of corsets. |
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