Desidentificação de gênero: experiência queer na performatividade da drag queen

This research aims to reflect on the gender performativity existing in my scenic practice as a drag queen performer teacher. In this sense, as a methodological strategy I report my training in creation as a queer person in my personal process of disidentification. Thus, on the one hand, I used the c...

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Detalhes bibliográficos
Autor: Oliveira, Nicholas Gomes Viana de
Formato: tesis de maestría
Estado:Versión publicada
Fecha de publicación:2021
País:Brasil
Recursos:Universidade Federal do Rio Grande do Norte (UFRN)
Repositorio:Repositório Institucional da UFRN
Idioma:portugués
OAI Identifier:oai:repositorio.ufrn.br:123456789/45852
Acesso em linha:https://repositorio.ufrn.br/handle/123456789/45852
Access Level:acceso abierto
Palavra-chave:Performance (Arte)
Desidentificação
Drag queens
Queer
Descrição
Resumo:This research aims to reflect on the gender performativity existing in my scenic practice as a drag queen performer teacher. In this sense, as a methodological strategy I report my training in creation as a queer person in my personal process of disidentification. Thus, on the one hand, I used the classroom as a place for a performance laboratory, in order to understand the corporeality present in the queen state, and, on the other, from experiences, I seek to dialogue with people marked by a narrative of resistance in queer performance. The spaces covered in this dissertation are territories of power that are reconfigured through the wanderings of a dissident body, clamoring against normativity and compulsory order. The result of this dissertation is an account, in the form of textperformance, of a body in transit migrating along wandering paths that contaminate itself across borders to reveal its performance practices and the creation of a drag laboratory.