Theodor Adorno: the Crisis of the Critique of Communication
The aesthetic, philosophical and epistemological proposals of Theodor Adorno, one of the most important thinkers from 20th century, had very frequently obscure components, sometimes ingenuous, sometimes unattainable. His major contribution seems to be the concept of not-identical, but his musical co...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2015 |
| País: | Brasil |
| Institución: | Faculdade de São Bento (FSB) |
| Repositorio: | Hypnos |
| Idioma: | portugués inglés |
| OAI Identifier: | oai:ojs.hypnos.org.br:article/448 |
| Acceso en línea: | https://hypnos.org.br/index.php/hypnos/article/view/448 |
| Access Level: | acceso abierto |
| Palabra clave: | Art Mimese Dodecaphonism Communication arte mimese dodecafonismo comunicação |
| Sumario: | The aesthetic, philosophical and epistemological proposals of Theodor Adorno, one of the most important thinkers from 20th century, had very frequently obscure components, sometimes ingenuous, sometimes unattainable. His major contribution seems to be the concept of not-identical, but his musical conceptions were not clear at all and his epistemological positions fell very oft in insoluble contradictions. |
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