BRAZILIAN CULTURE AND POPULAR IDENTITY: BRIEF CONSIDERATIONS
National consciousness is a recent phenomenon, considered to be a specifically modern worldview. At the beginning of the twentieth century, the discussion about “what it means to be Brazilian” is accentuated. Three moments consolidate this discussion: the “formation” of samba, between the years 1910...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2024 |
| País: | Brasil |
| Recursos: | Pontifícia Universidade Católica de Goiás (PUC-GO) |
| Repositório: | Guará |
| Idioma: | português |
| OAI Identifier: | oai:ojs2.seer.pucgoias.edu.br:article/13349 |
| Acesso em linha: | https://seer.pucgoias.edu.br/index.php/guara/article/view/13349 |
| Access Level: | Acceso aberto |
| Palavra-chave: | MPB Samba Tropicália |
| Resumo: | National consciousness is a recent phenomenon, considered to be a specifically modern worldview. At the beginning of the twentieth century, the discussion about “what it means to be Brazilian” is accentuated. Three moments consolidate this discussion: the “formation” of samba, between the years 1910-1920, bringing together dances and Iberian-African rhythms, the period do Estado Novo (1930-1945) establishing samba as a synonym for national identity, and Tropicália (1967-1968), pointing out other paths for MPB. To build this text, we used Vianna (1995) and Basualdo ( 2007). |
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