Subject and mediated life: considerations about the Nick Hornby's fiction
This article aims at analyzing, in Nick Hornby´s narratives, the life taken as entertainment, in which the objects and processes of media culture shape perspectives and serve to the expression of subjectivities. The exam of this mediatic optical on common life’s perception allows to reflect, beyond...
| Autor: | |
|---|---|
| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2009 |
| País: | Brasil |
| Recursos: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repositorio: | Revista FAMECOS: Mídia cultura e tecnologia |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/5311 |
| Acesso em linha: | https://revistaseletronicas.pucrs.br/revistafamecos/article/view/5311 |
| Access Level: | acceso abierto |
| Palavra-chave: | Pop culture entertainment subjectivity Networks and Subjects Cultura pop entretenimento subjetividade Redes e sujeitos |
| Resumo: | This article aims at analyzing, in Nick Hornby´s narratives, the life taken as entertainment, in which the objects and processes of media culture shape perspectives and serve to the expression of subjectivities. The exam of this mediatic optical on common life’s perception allows to reflect, beyond fiction, about the individuals in contemporary society, of which values that conform the existence and modes of interaction are established, by de spectacle forms, in the confluence among life, pop culture and consumerism. |
|---|