An experiment in the light of ambivalence: The formation of the surrealist image through the quantum photography prototype
The construction of a “mental experimente” enables us to think of the “prototype of quantum photography” as an artifact that holds an autonomous mechanism for formation the “surrealist image”. For this, at first, we will analyze the “ambivalence” as transdisciplinary concept and foundation of our wo...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Pós (Universidade Federal de Minas Gerais. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/21598 |
| Acceso en línea: | https://periodicos.ufmg.br/index.php/revistapos/article/view/21598 |
| Access Level: | acceso abierto |
| Palabra clave: | Ambivalência Surrealismo Quântico Ambivalence Surrealism Quantum Ambivalencia El surrealismo |
| Sumario: | The construction of a “mental experimente” enables us to think of the “prototype of quantum photography” as an artifact that holds an autonomous mechanism for formation the “surrealist image”. For this, at first, we will analyze the “ambivalence” as transdisciplinary concept and foundation of our work. In a second moment, we will investigate the notion of “surrealist image” conceived by André Breton and René Magritte. And in a third moment, we will approach the operation of the “prototype quantum photography” published in the Nature in 2014, developed by scientists from the Austrian Academy of Sciences. |
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