BACHELARD AND THE RATE ANALYSIS
The present essay is a study on one of the most original contributions proposed byGaston Bachelard to the poetic interpretation of literary works: rythmanalysis or rythmanalyticmethod. Inspired on microphysics principle of complementarity, rythmanalysis aims ataprehending the ambiguous and ambivalen...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2009 |
| País: | Brasil |
| Institución: | Universidade Estadual do Oeste do Paraná (UNIOESTE) |
| Repositorio: | Travessias (Cascavel. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.e-revista.unioeste.br:article/3435 |
| Acceso en línea: | https://e-revista.unioeste.br/index.php/travessias/article/view/3435 |
| Access Level: | acceso abierto |
| Palabra clave: | Ritmanálise Imaginação Ambivalência Complementaridade Dialética |
| Sumario: | The present essay is a study on one of the most original contributions proposed byGaston Bachelard to the poetic interpretation of literary works: rythmanalysis or rythmanalyticmethod. Inspired on microphysics principle of complementarity, rythmanalysis aims ataprehending the ambiguous and ambivalent operation of imagination, which indulges inharmonizing contrary movements. First, the concept’s origin is tracked in two essays from thebook Études (Studies). In a second moment, we follow it up to its consumation in the investigationthe philosopher undertakes on time in La dialectique de la durée (The Dialectics of Duration). Finally,the concept is shown at full hermeneutic blossom in the collected articles that make up Le droit derêver (The Right to Dream), in which the works of artists as distinct as Mallarmé, Poe, Rimbaud,Eluard, Michelet and Balzac are poetically and rythmanalytically appraised. |
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