A representação feminina nos romances de Cyro dos Anjos

This research analyses the way female characters are portrayed in O amanuense Belmiro, Abdias and Montanha, by Cyro dos Anjos, observing what happens according to their narrators, the representation of these figures that present traditional and modern stereotypes. The traditional characters that mak...

Descripción completa

Detalles Bibliográficos
Autor: Geuvana Vieira de Oliveira
Tipo de recurso: tesis de maestría
Estado:Versión publicada
Fecha de publicación:2011
País:Brasil
Institución:Universidade Federal de Minas Gerais (UFMG)
Repositorio:Repositório Institucional da UFMG
Idioma:portugués
OAI Identifier:oai:repositorio.ufmg.br:1843/ECAP-8HVHKS
Acceso en línea:http://hdl.handle.net/1843/ECAP-8HVHKS
Access Level:acceso abierto
Palabra clave:Cyro
Representação feminina
Romances
Ficção História e crítica
Mulheres e literatura
Anjos, Cyro dos, 1906-1994 Montanha Crítica e interpretação
Anjos, Cyro dos, 1906-1994 Abdias Crítica e interpretação
Personagens Mulheres
Anjos, Cyro dos, 1906-1994 Amanuense Belmiro Crítica e interpretação
Literatura e sociedade
Literatura
Descripción
Sumario:This research analyses the way female characters are portrayed in O amanuense Belmiro, Abdias and Montanha, by Cyro dos Anjos, observing what happens according to their narrators, the representation of these figures that present traditional and modern stereotypes. The traditional characters that make up the corpus are drawn from each of these novels, and Emily, Charlotte and Claudia figures who act contaminated by traces of attitudes linked to a sociocultural tradition. In contrast, we examine also the modern characters Jandira, Gabriela and Anna Maria, which are built with aspects of the modern woman. Theoretical resource, we use theoretical and critical texts on the historical and cultural context of colonial Brazil until the twentieth century, in order to understand the social conventions and figuration of the characters that simulate certain behaviors that social structure.