The Realistic aesthetic in the films on brazilian military dictatorship
Cinema directs, on its input, an impression of reality based on empirical experience of the director and the society to which he belongs. In its condition of discourse, the cinema, as well as narrative forms, covers a statement and a spectator. Unlike a novel, the “movie grammar” is composed by a nu...
| Autores: | , , |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2009 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Em Questão (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:seer.ufrgs.br:article/6491 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/EmQuestao/article/view/6491 |
| Access Level: | acceso abierto |
| Palabra clave: | Brazilian cinema Military dictatorship Aesthetics Cinema brasileño. Dictadura militar. Estética. Cinema brasileiro Ditadura militar Estética |
| Sumario: | Cinema directs, on its input, an impression of reality based on empirical experience of the director and the society to which he belongs. In its condition of discourse, the cinema, as well as narrative forms, covers a statement and a spectator. Unlike a novel, the “movie grammar” is composed by a number of factors such as image, sound, music, among others that are organized to tell a story. However, the way these components are recorded in pictures and ordered on a narrative sequence is not unique. Therefore, we can think about what the purpose of an aesthetic choice is usual in the movies Pra Frente, Brasil and Batismo de Sangue to represent the Brazilian military dictatorship |
|---|