Continuidade e correspondência: dois princípios conflitantes na obra de Walter Benjamin
From his thesis on German Romanticism to the theses entitled "On the Concept of History," Walter Benjamin questions the idea of continuity, based on linear temporality and deductive logic. This questioning goes through radical postulates such as the total break with tradition and the "...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Repositório Institucional da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/52675 |
| Acceso en línea: | http://hdl.handle.net/1843/52675 http://orcid.org/0000-0002-4276-1778 |
| Access Level: | acceso abierto |
| Palabra clave: | Continuidade Correspondência Walter Benjamin Benjamin, Walter, 1892-1940 |
| Sumario: | From his thesis on German Romanticism to the theses entitled "On the Concept of History," Walter Benjamin questions the idea of continuity, based on linear temporality and deductive logic. This questioning goes through radical postulates such as the total break with tradition and the "continuum explosion", and the destruction of unidirectional linearity is compensated by the construction of more complexmodels such as images and monads, both privileged by Benjamin for following the principle of correspondence. |
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