Heritage and body: the Cine Theater São Joaquim as a landscape of emotions in the city of Goiás
This text presents some reflections on the relationship between Heritage and the Body. Thus, we trace memories that intertwine, observing in the process the construction of new and other possible landscapes of heritage places and especially of in-between places. We weave narratives and stories of th...
| Autor: | |
|---|---|
| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2023 |
| País: | Brasil |
| Recursos: | Universidade Estadual do Oeste do Paraná (UNIOESTE) |
| Repositório: | Travessias (Cascavel. Online) |
| Idioma: | português |
| OAI Identifier: | oai:ojs.e-revista.unioeste.br:article/30125 |
| Acesso em linha: | https://e-revista.unioeste.br/index.php/travessias/article/view/30125 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Patrimônio Cultural Corpo Emoções Cidade de Goiás Cultural heritage Body Emotions City of Goiás |
| Resumo: | This text presents some reflections on the relationship between Heritage and the Body. Thus, we trace memories that intertwine, observing in the process the construction of new and other possible landscapes of heritage places and especially of in-between places. We weave narratives and stories of these spaces, affective and cognitive dimensions, making it possible to think and rethink the meanings of heritage. The methodology used was circumscribed around the Cine Teatro São Joaquim, located in the City of Goiás, a World Heritage Site.The theoretical basis presented in this study is in motion, since it is not exhausted in the proposal, but allows for other problems. Thus, the bibliographic research starts from texts on the History of emotions, affections, material and immaterial heritage and their correlations with the meanings of the body, understood as an object of historical study. Authors such as: Chartier (1990), Rosenwein (2011), Sant'anna (2001), Courtine (2013) and others stand out. The desired results go beyond the materiality of the analysis of the object, but aims to go through cartographies of the body and the heritage in which thoughts, memories, feelings, conflicts and impressions emerge. |
|---|