Shakespeare reciclado : uma adapação cinematográfica de A megera domada no filme 10 coisas que eu odeio em você
This study analyses the Shakespearean theater screen adaptation, specifically the work The Taming of the Shrew, into the film 10 Things I Hate About You, through an intersemiotic translation reflection inspired by Peirce's sign definitions and understood as a form of creative hypertextuality. T...
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| Tipo de documento: | dissertação |
| Estado: | Versão publicada |
| Data de publicação: | 2015 |
| País: | Brasil |
| Recursos: | Universidade Federal do Espírito Santo (UFES) |
| Repositório: | Repositório Institucional da Universidade Federal do Espírito Santo (riUfes) |
| Idioma: | português |
| OAI Identifier: | oai:repositorio.ufes.br:10/3305 |
| Acesso em linha: | http://repositorio.ufes.br/handle/10/3305 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Cinema and Literature Intersemiotic translation Adaptation Intermediality Recycling Shakespeare Tradução intersemiótica Adaptação Intermidialidade Reciclagem Cinema e Literatura Shakespeare, William, 1564-1616 Cinema e literatura Adaptações para o cinema Letras 82 |
| Resumo: | This study analyses the Shakespearean theater screen adaptation, specifically the work The Taming of the Shrew, into the film 10 Things I Hate About You, through an intersemiotic translation reflection inspired by Peirce's sign definitions and understood as a form of creative hypertextuality. The study addresses the dialogical relations between the source text and its hypertext, considering their respective contexts. It is discussed the issues related to adaptation and appropriation (considering that cinema, as a mean of art reproduction, appears as one of the most effective ways of adaptation - literary or otherwise), which bring out questions about Shakespeare’s perpetual canonicalization or its resistance under the terms of recycling. It was also discussed the intermediality concept as an essential form of medium for the rereadings done so far. |
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