La Traviata à brasileira: diálogos culturais na sambópera de Augusto Boal
The aim of this paper is to present a study showing the characteristics that underlie the gender created by Augusto Boal in 1999 called sambópera and identify the elements that conceptualize it as a multicultural gender, putting into perspective such concepts as hybridity, identity and the concept o...
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| Formato: | tesis de maestría |
| Estado: | Versión publicada |
| Fecha de publicación: | 2011 |
| País: | Brasil |
| Recursos: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Repositório Institucional da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/AAGS-9EHH37 |
| Acesso em linha: | http://hdl.handle.net/1843/AAGS-9EHH37 |
| Access Level: | acceso abierto |
| Palavra-chave: | A Traviata Augusto Boal Ópera Multiculturalismo Hibridismo Sambópera Identidade Boal, Augusto, 1931-2009 Música Óperas Análise e apreciação |
| Resumo: | The aim of this paper is to present a study showing the characteristics that underlie the gender created by Augusto Boal in 1999 called sambópera and identify the elements that conceptualize it as a multicultural gender, putting into perspective such concepts as hybridity, identity and the concept of opera as musical theater. Sambópera consists in rereading operas of classic-romantic tradition, contextualizing them culturally. This rereading, besides being a social critic, discusses the issue of multiculturalism within the Brazilian society. Taking as an object of research the work "A Traviata: A Metáfora do Desejo (2002), we assume that sambópera is a cultural gender, result of Boal experience in exile, and that is part of the artistic context built in post-modernity, signaling to the plural, for multiplicity. From the methodological point of view we related the documentary sources with the audio-visual sources, in order to identify how Boal, along with Marcos Leite, Jayme Vignoli and Celso Branco have developed multiculturalism in the creation of sambópera. |
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