Ambiguity and metalanguage in Amor de salvação
Camilo Castelo Branco uses the romantic fiction model (a succession of sentimental adventures that culminate in a happy end through marriage) in a non-conventional manner. The author displays the ideological contradictions of this model through the ambiguities generated by the metalanguage that flow...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2025 |
| País: | Brasil |
| Recursos: | Real Gabinete Português de Leitura (RGPL) |
| Repositório: | Convergência Lusíada (Online) |
| Idioma: | português |
| OAI Identifier: | oai:ojs.convergencia.emnuvens.com.br:article/1337 |
| Acesso em linha: | https://www.convergencialusiada.com.br/rcl/article/view/1337 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Metalanguage Ambiguity Irony Romanticism Metalinguagem Ambiguidade Ironia Romantismo |
| Resumo: | Camilo Castelo Branco uses the romantic fiction model (a succession of sentimental adventures that culminate in a happy end through marriage) in a non-conventional manner. The author displays the ideological contradictions of this model through the ambiguities generated by the metalanguage that flows through the plot of Amor de Salvação. |
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