Irony and seriousness in the Russian novel: notes to read Dostoevsky from Kierkegaard's point of view
The article considers that Kierkegaard's analyzes of romantic irony carry a critical and explanatory potential capable of shedding light on the philosophical and aesthetic significance of Dostoevsky's romanesque works. Considering the judgment of Bakhtin, who recognized in Dostoevsky'...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Recursos: | Universidade de São Paulo (USP) |
| Repositorio: | RUS (São Paulo) |
| Idioma: | portugués |
| OAI Identifier: | oai:revistas.usp.br:article/169009 |
| Acesso em linha: | https://revistas.usp.br/rus/article/view/169009 |
| Access Level: | acceso abierto |
| Palavra-chave: | Dostoevsky Kierkegaard Irony Romanticism Nihilism Dostoiévski Ironia Romantismo Niilismo |
| Resumo: | The article considers that Kierkegaard's analyzes of romantic irony carry a critical and explanatory potential capable of shedding light on the philosophical and aesthetic significance of Dostoevsky's romanesque works. Considering the judgment of Bakhtin, who recognized in Dostoevsky's polyphonic Novel an expression of overcoming the philosophical solipsism of romanticism, the article proposes that the kierkegaardian concept of “dominated irony”, present in the last part of his dissertation on The concept of irony, can be used as a key to the interpretation of Dostoevsky's aesthetics, as well as his diagnosis and attempt to overcome the aesthetic nihilism of romantics. |
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