Lugares e imagens: os painéis cerâmicos na cidade de Belo Horizonte entre 1940 e 1944
In this work I examine the tile and mosaic panels of Pampulha architectonic set, understanding it as a visual program associated with modernist architecture in the city of Belo Horizonte, in the early 1940s. I make an approach of the wall tile with the art of memory, demonstrating how place and imag...
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| Tipo de recurso: | tesis doctoral |
| Estado: | Versión publicada |
| Fecha de publicación: | 2012 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Repositório Institucional da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/JSSS-952K97 |
| Acceso en línea: | http://hdl.handle.net/1843/JSSS-952K97 |
| Access Level: | acceso abierto |
| Palabra clave: | Programa visual Revestimentos cerâmicos Modernismo Arte da memória Azulejos Pampulha, Lagoa da, Região (MG) Azulejos Belo Horizonte (MG) 1940-1944 Artes Trabalhos em azulejo Belo Horizonte (MG) Arquitetura moderna Decoração e ornamento (Arquitetura) Belo Horizonte (MG) |
| Sumario: | In this work I examine the tile and mosaic panels of Pampulha architectonic set, understanding it as a visual program associated with modernist architecture in the city of Belo Horizonte, in the early 1940s. I make an approach of the wall tile with the art of memory, demonstrating how place and image were used as a way to evoke and establish a relationship of historical continuity related to that specific moment. Canonized in Luso-Brazilian culture, the tile was precisely the plastic element adopted to promote a connection between colonial and modern art and architecture, at the same time that diluted the distance between traditional and modern. Thus, I make evident that, regardless of the aesthetic and functional qualities of Pampulhas tile panels, there is a purpose for the creation and execution of a narrative in order to establish a bond between the ceramic panels and colonial past. |
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