Court music of China, Japan and Korea in the 16th - 17th centuries: a comparative analysis

Throughout history, social and economic events had a great impact on the development of culture and music as a part of it. As soon as different events have forced a cultural shift, the historical changes are considered important for music analysis. The research examines the court music of China, Jap...

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Detalhes bibliográficos
Autor: Guo, Linlin
Formato: artículo
Estado:Versión publicada
Fecha de publicación:2022
País:Brasil
Recursos:Universidade Federal de Goiás (UFG)
Repositorio:Revista Música Hodie (Online)
Idioma:inglés
OAI Identifier:oai:ojs.revistas.ufg.br:article/71641
Acesso em linha:https://revistas.ufg.br/musica/article/view/71641
Access Level:acceso abierto
Palavra-chave:art in China, Japan and Korea
music in the 16th and 17th centuries
musical instruments in Japan, China and Korea
Japanese puppet theatre
Chinese pentatonic
Lu musical system
Korean ceremonial music
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spelling Court music of China, Japan and Korea in the 16th - 17th centuries: a comparative analysisart in China, Japan and Koreamusic in the 16th and 17th centuriesmusical instruments in Japan, China and KoreaJapanese puppet theatreChinese pentatonicLu musical systemKorean ceremonial musicThroughout history, social and economic events had a great impact on the development of culture and music as a part of it. As soon as different events have forced a cultural shift, the historical changes are considered important for music analysis. The research examines the court music of China, Japan and Korea in the 16th-17th centuries. Special attention is paid to the main characteristics, similarities and differences of music in these states. Moreover, a comparative analysis of court music in different countries was made. The purpose was to investigate the stages of the court music development, explored the historical and social events that influenced the shift in musical genres, and identified similarities and differences between musical art in different countries. The research discusses the contact between Chinese, Korean, Japanese and European cultures and its impact on the development of court music. Moreover, the research identifies similar and different characteristics found in classical musical genres such as nanxi drama (theatre) common in China, fairy tale singing popular in Japan, and ceremonial music performed in Korea. In the Far East countries, court music had features of both ceremonial and epic music associated with great orchestras with a wide variety of instruments. The musical instruments had many common features. The materials used to make the instruments and the production cycles were similar. Many instruments had analogues in other countries. The Chinese guzheng had many similar features with Japanese koto and Korean kayagum; pipa (China) is similar to biwa (Japan). Many instruments migrated from one country to another. The shakuhachi musical instrument moved from China to Japan and became very popular in this country. The music instrument was created in about 20 shapes and sizes to make distinctive sounds. Further research should consider other aspects that influenced the development of cultural values and court music in China, Japan and Korea. It is important to analyse other cultural changes and trends to understand the societal transformations, values and characteristics of the Far East countries.Universidade Federal de Goiás2022-08-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/musica/article/view/7164110.5216/mh.v22.71641MUSICA HODIE; Vol. 22 (2022)Música Hodie; Vol. 22 (2022)Música Hodie; v. 22 (2022)1676-39392317-6776reponame:Revista Música Hodie (Online)instname:Universidade Federal de Goiás (UFG)instacron:UFGenghttps://revistas.ufg.br/musica/article/view/71641/38651Copyright (c) 2022 Revista Música Hodieinfo:eu-repo/semantics/openAccessGuo, Linlin2025-05-12T01:16:50Zoai:ojs.revistas.ufg.br:article/71641Revistahttps://revistas.ufg.br/musica/indexPUBhttps://revistas.ufg.br/musica/oaianselmo@ufg.br || portaldeperiodicos.bc@ufg.br || guerra.anselmo@gmail.com2317-67761676-3939opendoar:2025-05-12T01:16:50Revista Música Hodie (Online) - Universidade Federal de Goiás (UFG)false
dc.title.none.fl_str_mv Court music of China, Japan and Korea in the 16th - 17th centuries: a comparative analysis
title Court music of China, Japan and Korea in the 16th - 17th centuries: a comparative analysis
spellingShingle Court music of China, Japan and Korea in the 16th - 17th centuries: a comparative analysis
Guo, Linlin
art in China, Japan and Korea
music in the 16th and 17th centuries
musical instruments in Japan, China and Korea
Japanese puppet theatre
Chinese pentatonic
Lu musical system
Korean ceremonial music
title_short Court music of China, Japan and Korea in the 16th - 17th centuries: a comparative analysis
title_full Court music of China, Japan and Korea in the 16th - 17th centuries: a comparative analysis
title_fullStr Court music of China, Japan and Korea in the 16th - 17th centuries: a comparative analysis
title_full_unstemmed Court music of China, Japan and Korea in the 16th - 17th centuries: a comparative analysis
title_sort Court music of China, Japan and Korea in the 16th - 17th centuries: a comparative analysis
dc.creator.none.fl_str_mv Guo, Linlin
author Guo, Linlin
author_facet Guo, Linlin
author_role author
dc.subject.por.fl_str_mv art in China, Japan and Korea
music in the 16th and 17th centuries
musical instruments in Japan, China and Korea
Japanese puppet theatre
Chinese pentatonic
Lu musical system
Korean ceremonial music
topic art in China, Japan and Korea
music in the 16th and 17th centuries
musical instruments in Japan, China and Korea
Japanese puppet theatre
Chinese pentatonic
Lu musical system
Korean ceremonial music
description Throughout history, social and economic events had a great impact on the development of culture and music as a part of it. As soon as different events have forced a cultural shift, the historical changes are considered important for music analysis. The research examines the court music of China, Japan and Korea in the 16th-17th centuries. Special attention is paid to the main characteristics, similarities and differences of music in these states. Moreover, a comparative analysis of court music in different countries was made. The purpose was to investigate the stages of the court music development, explored the historical and social events that influenced the shift in musical genres, and identified similarities and differences between musical art in different countries. The research discusses the contact between Chinese, Korean, Japanese and European cultures and its impact on the development of court music. Moreover, the research identifies similar and different characteristics found in classical musical genres such as nanxi drama (theatre) common in China, fairy tale singing popular in Japan, and ceremonial music performed in Korea. In the Far East countries, court music had features of both ceremonial and epic music associated with great orchestras with a wide variety of instruments. The musical instruments had many common features. The materials used to make the instruments and the production cycles were similar. Many instruments had analogues in other countries. The Chinese guzheng had many similar features with Japanese koto and Korean kayagum; pipa (China) is similar to biwa (Japan). Many instruments migrated from one country to another. The shakuhachi musical instrument moved from China to Japan and became very popular in this country. The music instrument was created in about 20 shapes and sizes to make distinctive sounds. Further research should consider other aspects that influenced the development of cultural values and court music in China, Japan and Korea. It is important to analyse other cultural changes and trends to understand the societal transformations, values and characteristics of the Far East countries.
publishDate 2022
dc.date.none.fl_str_mv 2022-08-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/musica/article/view/71641
10.5216/mh.v22.71641
url https://revistas.ufg.br/musica/article/view/71641
identifier_str_mv 10.5216/mh.v22.71641
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ufg.br/musica/article/view/71641/38651
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Música Hodie
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Música Hodie
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv MUSICA HODIE; Vol. 22 (2022)
Música Hodie; Vol. 22 (2022)
Música Hodie; v. 22 (2022)
1676-3939
2317-6776
reponame:Revista Música Hodie (Online)
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Revista Música Hodie (Online)
collection Revista Música Hodie (Online)
repository.name.fl_str_mv Revista Música Hodie (Online) - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv anselmo@ufg.br || portaldeperiodicos.bc@ufg.br || guerra.anselmo@gmail.com
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score 15,228081

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