The Body Onstage: orality and ethnoscenology
The analysis of the processes of human knowledge transmission, in general, reveal two ways: orality and writing. Traditionally, the scenic phenomenon is observed and analyzed as a variation of orality. With the creation and assertion of disciplines whose objects of study are spectacular practices, l...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Recursos: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Brasileira de Estudos da Presença |
| Idioma: | portugués |
| OAI Identifier: | oai:seer.ufrgs.br:article/25693 |
| Acesso em linha: | https://seer.ufrgs.br/index.php/presenca/article/view/25693 |
| Access Level: | acceso abierto |
| Palavra-chave: | Etnocenologia Oralidade Escrita Espetacularidade Memória Ethnoscenology Orality Writing Spectacle Memory. Ethnoscénologie Oralité Écriture Spectaculaire Mémoire. |
| Resumo: | The analysis of the processes of human knowledge transmission, in general, reveal two ways: orality and writing. Traditionally, the scenic phenomenon is observed and analyzed as a variation of orality. With the creation and assertion of disciplines whose objects of study are spectacular practices, like Ethnoscenology, other perspectives have been developed considering, in fact, the particularities and differences between the scenic event and other systems of human expression. Therefore, this paper proposes to analyze scenic aspects regarding the body and its sensory and communication relationships, highlighting them as a different structural format, such as writing and orality. |
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