Imagens semoventes: fotografia e multimídia no Webjornalismo
The webjournalism uses almost ever traditional press forms. This article starts with the hypothesis that hypermedia is subtilized by national and foreign webdiaries. There is one exception, the Clarín of Argentina. The text describes especially its multimedia product: «Borges en Clarín», in wich the...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade Federal de Santa Maria (UFSM) |
| Repositorio: | Revista Animus (Santa Maria. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/90420 |
| Acceso en línea: | https://periodicos.ufsm.br/animus/article/view/90420 |
| Access Level: | acceso abierto |
| Palabra clave: | Webjournalism Multimedia Hypermedia Webperiodismo Hipermedia Webjornalismo Multimídia Hipermídia |
| Sumario: | The webjournalism uses almost ever traditional press forms. This article starts with the hypothesis that hypermedia is subtilized by national and foreign webdiaries. There is one exception, the Clarín of Argentina. The text describes especially its multimedia product: «Borges en Clarín», in wich the image is produced in a complex mode. The image opens many possibilities of navigation that includes textes, images, performance, sounds. |
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