The Hybrid and the Dancing Body: a study of the Anglo-Saxon contemporary stage
Taking as starting point the experience of the artists of the Indian diaspora in England, the article suggests rethinking the role and the meaning of the term hybrid in the field of dance and of contemporary creation. Applied without distinction to any kind of multicultural artistic creation, this t...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Brasileira de Estudos da Presença |
| Idioma: | portugués |
| OAI Identifier: | oai:seer.ufrgs.br:article/49597 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/presenca/article/view/49597 |
| Access Level: | acceso abierto |
| Palabra clave: | Contemporary Dance South Asian Dance Hybrid Creations Indian Diaspora Morphogenese Danse Contemporaine Créations Hybrides Diaspora Indienne Morphogenèse Dança Contemporânea Dança do Sul da Ásia Criações Híbridas Diáspora Indiana Morfogênese |
| Sumario: | Taking as starting point the experience of the artists of the Indian diaspora in England, the article suggests rethinking the role and the meaning of the term hybrid in the field of dance and of contemporary creation. Applied without distinction to any kind of multicultural artistic creation, this term conveys a plurality of senses, sometimes contradictory. Notions of contemporary biology will supply the theoretical tools for an analysis of the hybrid processes of creation, allowing a diversified reading of experiences often perceived as homogeneous. |
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