A falecida as she is: the obsessions and recurring images in the creative process of Nelson Rodrigues
This article discusses the creation of the play A falecida, by Nelson Rodrigues, seeking to sketch the biographical, literary, cinematographic references, as well as the author’s thematic obsessions, analogies, influences, echoes, patterns and recurring ideas. It also presents a self-referenciality...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositorio: | Urdimento (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai::article/24699 |
| Acceso en línea: | https://www.revistas.udesc.br/index.php/urdimento/article/view/24699 |
| Access Level: | acceso abierto |
| Palabra clave: | teatro processo criativo Nelson Rodrigues A falecida proceso creativo La fallecida theatre creative process |
| Sumario: | This article discusses the creation of the play A falecida, by Nelson Rodrigues, seeking to sketch the biographical, literary, cinematographic references, as well as the author’s thematic obsessions, analogies, influences, echoes, patterns and recurring ideas. It also presents a self-referenciality in the textual construction, which were taken into account in the tessitura of his first carioca tragedy. It creates a panel of structural correlations, repetitions, recurrences, displacements and situations between her pieces and the chronicles of A vida como ela é..., as well as brief traces of his poetics and the influence of the city of Rio de Janeiro in the creation of language. |
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