Women in the interstices of a “mimeograph generation”: Ana Cristina César's itineraries
The purpose of this paper is to reflect on the poetics of the "generation mimeograph", built in the Brazilian authoritarian regime, more specifically about how women were inserted in this movement that aimed to gain a new literary public and transform literature in a mobilize product in th...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2012 |
| País: | Brasil |
| Recursos: | Universidade Federal de Santa Maria (UFSM) |
| Repositorio: | Literatura e Autoritarismo |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/75221 |
| Acesso em linha: | http://periodicos.ufsm.br/LA/article/view/75221 |
| Access Level: | acceso abierto |
| Palavra-chave: | Ana Cristina César Marginal poetry Literature Poesia marginal Literatura |
| Resumo: | The purpose of this paper is to reflect on the poetics of the "generation mimeograph", built in the Brazilian authoritarian regime, more specifically about how women were inserted in this movement that aimed to gain a new literary public and transform literature in a mobilize product in the cultural area. Accordingly, the trajectory of the writer Ana Cristina César (1952-1983) is emblematic of present strategies in search of a place of authority among the power plays in the field of cultural production of the time. |
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