Memories of capitalism in Hayao Miyazaki’s works: a debate based on “Nausicaä of the Valley of the Wind” (1984) and “Princess Mononoke” (1999)
The director of animated films, Hayao Miyazaki, is a significant figure in works that invite the viewer to critically consider essential societal issues. In this vein, Nausicaä of the Valley of the Wind and The Princess Mononoke are two important cinematic works that offer critical possibilities for...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade de Brasília (UnB) |
| Repositorio: | Em Tempo de Histórias (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/53160 |
| Acceso en línea: | https://periodicos.unb.br/index.php/emtempos/article/view/53160 |
| Access Level: | acceso abierto |
| Palabra clave: | Animação japonesa Antropoceno Memórias do capitalismo Japanese animation Anthropocene Memories of capitalism |
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Memories of capitalism in Hayao Miyazaki’s works: a debate based on “Nausicaä of the Valley of the Wind” (1984) and “Princess Mononoke” (1999)As memórias do capitalismo em Hayao Miyazaki: um debate a partir das obras “Nausicaä do Vale do Vento” (1984) e “A Princesa Mononoke” (1999)Animação japonesaAntropocenoMemórias do capitalismoJapanese animationAnthropoceneMemories of capitalismThe director of animated films, Hayao Miyazaki, is a significant figure in works that invite the viewer to critically consider essential societal issues. In this vein, Nausicaä of the Valley of the Wind and The Princess Mononoke are two important cinematic works that offer critical possibilities for thinking about the Anthropocene and Capitalocene, Nature, and the memories of capitalism. Through narratives that involve both human and more-than-human relationships, and by transcending the classic dichotomies found in children’s movies, Miyazaki exposes intricacies that this paper aims to explore regarding the use of memories and testimonies. With these two films as a starting point, we aspire to engage in discussions about human relations with other forms of life and other beings, thereby demonstrating ways to engage a memory of capitalism from these perspectives.O diretor de filmes de animação Hayao Miyazaki é um importante expoente de obras que convidam o/a interlocutor/a a pensar criticamente pautas fundamentais da sociedade. Neste sentido, Nausicaä do Vale do Vento e A Princesa Mononoke são doisimportantes trabalhos cinematográficos que constituem possibilidades críticas de pensar o Antropoceno e o Capitaloceno, a Natureza e as memórias do capitalismo. Miyazaki, através de enredos que envolvem relações humanas e mais-que-humanas e confluênciasque quebram as dicotomias clássicas de filmes infantojuvenis, expõe entranhas que este trabalho pretende abordar sobre os usos das memórias e dos testemunhos. Para isso, almejamos, a partir desses dois filmes, interpolar debates sobre relações dos seres humanoscom Outras formas de viver e Outros seres, de forma a demonstrar formas de constituir uma memória do capitalismo a partir disso.Universidade de Brasília, Departamento de História, Programa de Pós-Graduação em História - PPGHIS2024-09-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.unb.br/index.php/emtempos/article/view/5316010.26512/emtempos.v23i43.53160Em Tempo de Histórias; v. 23 n. 43 (2024); 101-1212316-11911517-110810.26512/emtempos.v23i43reponame:Em Tempo de Histórias (Online)instname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/emtempos/article/view/53160/41084Copyright (c) 2024 Em Tempo de Históriasinfo:eu-repo/semantics/openAccessFerreira Souza, Leandro2024-09-02T16:21:24Zoai:ojs.pkp.sfu.ca:article/53160Revistahttps://periodicos.unb.br/index.php/emtemposPUBhttps://periodicos.unb.br/index.php/emtempos/oaiperiodicos.bce@unb.br | emtempodehistorias@unb.br2316-11911517-1108opendoar:2024-09-02T16:21:24Em Tempo de Histórias (Online) - Universidade de Brasília (UnB)false |
| dc.title.none.fl_str_mv |
Memories of capitalism in Hayao Miyazaki’s works: a debate based on “Nausicaä of the Valley of the Wind” (1984) and “Princess Mononoke” (1999) As memórias do capitalismo em Hayao Miyazaki: um debate a partir das obras “Nausicaä do Vale do Vento” (1984) e “A Princesa Mononoke” (1999) |
| title |
Memories of capitalism in Hayao Miyazaki’s works: a debate based on “Nausicaä of the Valley of the Wind” (1984) and “Princess Mononoke” (1999) |
| spellingShingle |
Memories of capitalism in Hayao Miyazaki’s works: a debate based on “Nausicaä of the Valley of the Wind” (1984) and “Princess Mononoke” (1999) Ferreira Souza, Leandro Animação japonesa Antropoceno Memórias do capitalismo Japanese animation Anthropocene Memories of capitalism |
| title_short |
Memories of capitalism in Hayao Miyazaki’s works: a debate based on “Nausicaä of the Valley of the Wind” (1984) and “Princess Mononoke” (1999) |
| title_full |
Memories of capitalism in Hayao Miyazaki’s works: a debate based on “Nausicaä of the Valley of the Wind” (1984) and “Princess Mononoke” (1999) |
| title_fullStr |
Memories of capitalism in Hayao Miyazaki’s works: a debate based on “Nausicaä of the Valley of the Wind” (1984) and “Princess Mononoke” (1999) |
| title_full_unstemmed |
Memories of capitalism in Hayao Miyazaki’s works: a debate based on “Nausicaä of the Valley of the Wind” (1984) and “Princess Mononoke” (1999) |
| title_sort |
Memories of capitalism in Hayao Miyazaki’s works: a debate based on “Nausicaä of the Valley of the Wind” (1984) and “Princess Mononoke” (1999) |
| dc.creator.none.fl_str_mv |
Ferreira Souza, Leandro |
| author |
Ferreira Souza, Leandro |
| author_facet |
Ferreira Souza, Leandro |
| author_role |
author |
| dc.subject.por.fl_str_mv |
Animação japonesa Antropoceno Memórias do capitalismo Japanese animation Anthropocene Memories of capitalism |
| topic |
Animação japonesa Antropoceno Memórias do capitalismo Japanese animation Anthropocene Memories of capitalism |
| description |
The director of animated films, Hayao Miyazaki, is a significant figure in works that invite the viewer to critically consider essential societal issues. In this vein, Nausicaä of the Valley of the Wind and The Princess Mononoke are two important cinematic works that offer critical possibilities for thinking about the Anthropocene and Capitalocene, Nature, and the memories of capitalism. Through narratives that involve both human and more-than-human relationships, and by transcending the classic dichotomies found in children’s movies, Miyazaki exposes intricacies that this paper aims to explore regarding the use of memories and testimonies. With these two films as a starting point, we aspire to engage in discussions about human relations with other forms of life and other beings, thereby demonstrating ways to engage a memory of capitalism from these perspectives. |
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2024 |
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2024-09-02 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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publishedVersion |
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https://periodicos.unb.br/index.php/emtempos/article/view/53160 10.26512/emtempos.v23i43.53160 |
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https://periodicos.unb.br/index.php/emtempos/article/view/53160 |
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10.26512/emtempos.v23i43.53160 |
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por |
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por |
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https://periodicos.unb.br/index.php/emtempos/article/view/53160/41084 |
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Copyright (c) 2024 Em Tempo de Histórias info:eu-repo/semantics/openAccess |
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Copyright (c) 2024 Em Tempo de Histórias |
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openAccess |
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application/pdf |
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Universidade de Brasília, Departamento de História, Programa de Pós-Graduação em História - PPGHIS |
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Universidade de Brasília, Departamento de História, Programa de Pós-Graduação em História - PPGHIS |
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Em Tempo de Histórias; v. 23 n. 43 (2024); 101-121 2316-1191 1517-1108 10.26512/emtempos.v23i43 reponame:Em Tempo de Histórias (Online) instname:Universidade de Brasília (UnB) instacron:UNB |
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Em Tempo de Histórias (Online) - Universidade de Brasília (UnB) |
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