THE ALLEGORIC FLOATS OF CARNIVALS OF BLACK AND WHITE

In the context of the Andean popular Carnival of Blacks and Whites from the province of Nariño, in the South of Colombia, artists create and exhibit floats, monumental and ephemeral sculptures, which play the lead in the central part of the procession that takes place on the 6th of January, Three Ki...

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Detalles Bibliográficos
Autor: Goyes-Narváez, Julio César
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2010
País:Brasil
Institución:Universidade do Estado do Rio de Janeiro (UERJ)
Repositorio:Textos escolhidos de cultura e arte populares (Online)
Idioma:portugués
OAI Identifier:oai:ojs.www.e-publicacoes.uerj.br:article/12027
Acceso en línea:https://www.e-publicacoes.uerj.br/tecap/article/view/12027
Access Level:acceso abierto
Palabra clave:ANDEAN CARNIVAL
HALF-CASTES
NARRATIVES OF TOUCH
ALLEGORIES.
CARNAVAL ANDINO
MESTIZAJE
RELATOS DEL TACTO
ALEGORÍAS
OBRAS DEL IMAGINAR.
Descripción
Sumario:In the context of the Andean popular Carnival of Blacks and Whites from the province of Nariño, in the South of Colombia, artists create and exhibit floats, monumental and ephemeral sculptures, which play the lead in the central part of the procession that takes place on the 6th of January, Three Kings` Day. This procession lasts many hours and goes through the main streets of cities and towns while the crowd, throughout the journey of the float, “plays” and enjoys itself in the public squares, in the streets or on the balconies of the houses. People wear make up with cosmetics of different colors, especially black, and these spectators spread streamers and talcum powder while dancing and drinking liqueur. After giving a brief account of the origin and structure of this particular festivity, the paper describes and analyzes the allegorical texts under the light of both the testimonies of popular artists from Pasto’s Carnival and the play between their bodies, the outward appearance displayed, and the imagination.