Marginal Literature: The Genealogy of a Resistance Writing
This study proposes a genealogy for the phenomenon of “marginal literature”, which emerges in the Brazilian literary system in the beginning of the 21st century from the agency of Ferréz, giving rise to a fundamental clash in the contemporary cultural scene, through their author`s claim for recognit...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Recursos: | Universidade Federal de Santa Maria (UFSM) |
| Repositorio: | Literatura e Autoritarismo |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/68099 |
| Acesso em linha: | http://periodicos.ufsm.br/LA/article/view/68099 |
| Access Level: | acceso abierto |
| Palavra-chave: | Ferréz Committed Literature Marginal Enunciation Literatura empenhada Enunciação marginal. |
| Resumo: | This study proposes a genealogy for the phenomenon of “marginal literature”, which emerges in the Brazilian literary system in the beginning of the 21st century from the agency of Ferréz, giving rise to a fundamental clash in the contemporary cultural scene, through their author`s claim for recognition as cultural producers. Based on the concept by Stuart Hall (2006), which sees in the game of cultural relations “the class struggle in culture”, a lineage composed of authors historically identified with the margin represented in their texts is proposed. It is understood that Euclides da Cunha was the first national author to propose, a century before, a writing that became an instrument of denunciation of oppression for the marginalized segments of the time, the sertanejos. Lima Barreto, Plínio Marcos e João Antônio offer throughout the 20th century a radical change of perspective in this literary series, starting to enunciate resistance from the very space in which they lived. |
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