Each place with its thing: from the family album to the materiality of clothing
The objective of this article is to understand the role of family album photographs as memory supports in the clothing creation processes. This work is based on a case study conducted with the independent fashion brand from Curitiba, NovoLouvre, in which methodological procedures for analyzing heter...
| Autores: | , |
|---|---|
| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Recursos: | Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
| Repositorio: | Revista dObra[s] |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.dobras.emnuvens.com.br:article/1758 |
| Acesso em linha: | https://dobras.emnuvens.com.br/dobras/article/view/1758 |
| Access Level: | acceso abierto |
| Palavra-chave: | Processo criativo Fotografia Memória Agência Design Creative process Photography Memory Agency |
| Resumo: | The objective of this article is to understand the role of family album photographs as memory supports in the clothing creation processes. This work is based on a case study conducted with the independent fashion brand from Curitiba, NovoLouvre, in which methodological procedures for analyzing heterogeneous sources were employed. These sources include interviews granted by the designer Mariah Salomão Vianna and objects from her personal collection, among which are photographic albums and documents related to her creative processes. As a result, we comprehend that photographs act as objectified memories that interact with and are influenced by creative processes, materializing narratives and social prescriptions. |
|---|