Is a world without drama possible? Outline for a reworking of postdramatic theater theory
The essay seeks to return to the characterization of contemporary theater as “postdramatic”, according to Hans-Thies Lehmann, but reinforcing it with a consideration of drama as the ideological core of contemporary capitalism, and finally going beyond the ideas of the German theorist to propose a st...
| Autor: | |
|---|---|
| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2024 |
| País: | Brasil |
| Recursos: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositório: | Urdimento (Online) |
| Idioma: | português |
| OAI Identifier: | oai::article/25416 |
| Acesso em linha: | https://www.revistas.udesc.br/index.php/urdimento/article/view/25416 |
| Access Level: | Acceso aberto |
| Palavra-chave: | teoria teatral drama estética e política teatro pós-dramático theater theory aesthetics and politics postdramatic theater teoría teatral estética y politica teatro posdramático |
| Resumo: | The essay seeks to return to the characterization of contemporary theater as “postdramatic”, according to Hans-Thies Lehmann, but reinforcing it with a consideration of drama as the ideological core of contemporary capitalism, and finally going beyond the ideas of the German theorist to propose a strong and critical concept of the postdramatic. |
|---|