Arthur Lessac: an essay on Body energies in actor’s training
This article is a reflection on the four body energy states developed by Arthur Lessac: Buoyancy, Radiancy, Potency e Inter-Involvement and their use in the training of actors. Through a descriptive analysis of three explorations carried out according to Lessac’s approach, this article indicates way...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2022 |
| País: | Brasil |
| Recursos: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositório: | Revista Brasileira de Estudos da Presença |
| Idioma: | português |
| OAI Identifier: | oai:seer.ufrgs.br:article/25713 |
| Acesso em linha: | https://seer.ufrgs.br/index.php/presenca/article/view/25713 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Arthur Lessac Energias Corporais Presença Cênica Improvisação Jogo do Ator Body Energies Stage Presence Improvisation Actor’s Play Energies Corporelles Présence Scénique Jeu de l’Acteur |
| Resumo: | This article is a reflection on the four body energy states developed by Arthur Lessac: Buoyancy, Radiancy, Potency e Inter-Involvement and their use in the training of actors. Through a descriptive analysis of three explorations carried out according to Lessac’s approach, this article indicates ways to use these energies to animate the game of improvisation, to the characterization of characters and to the vocal action. We also establish a relation between the actor’s energy and his scenic presence. |
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