The hedonist perspective of the femme fatale element: the contribution of visuality in building the Nelly Borden character in Milano Calibro 9
This work aims, from the analysis of the movie Milano calibro 9, address the hedonistic perspective of Italian film noir. The element femme fatale is chosen as the central focus of observation. Priority is given to the visuality of the work, seeking more regularly the concrete and visible elements o...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Intexto (Porto Alegre) |
| Idioma: | portugués |
| OAI Identifier: | oai:seer.ufrgs.br:article/107455 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/intexto/article/view/107455 |
| Access Level: | acceso abierto |
| Palabra clave: | Análise fílmica Cinema noir italiano Direção de arte Femme fatale Hedonismo Film analysis. Italian film noir. Art direction. Femme fatale. Hedonism. |
| Sumario: | This work aims, from the analysis of the movie Milano calibro 9, address the hedonistic perspective of Italian film noir. The element femme fatale is chosen as the central focus of observation. Priority is given to the visuality of the work, seeking more regularly the concrete and visible elements of art direction work. The analysis is conducted by a methodological construction understood from some assumptions of film analysis, highlighting the authors Jacques Aumont & Michel Marie, Francis Vanoye & Anne Goliot-Lété, and the methodological proposition of Diane Rose . This research allows us to point out and reflect on how the femme fatale, in its hedonistic potential, directs the other characters and works as a fundamental element for the conduction of the narrative. |
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