1968, aesthetics and ideology: The show-manifest 1a Feira Paulista de Opinião
The article reflects on the historical, aesthetic and political events surrounding the show-manifest 1a Feira Paulista de Opinião promoted by the Arena’s Theater in June 1968 in partnership with several artists from the São Paulo scene. The show is one of countless attempts at understanding the dire...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Recursos: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Pós (Universidade Federal de Minas Gerais. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/21559 |
| Acesso em linha: | https://periodicos.ufmg.br/index.php/revistapos/article/view/21559 |
| Access Level: | acceso abierto |
| Palavra-chave: | Teatro brasileiro Ditadura militar Censura teatral Brazilian Theater Military Dictatorship Theatrical Censorship Teatro brasileño Dictadura militar |
| Resumo: | The article reflects on the historical, aesthetic and political events surrounding the show-manifest 1a Feira Paulista de Opinião promoted by the Arena’s Theater in June 1968 in partnership with several artists from the São Paulo scene. The show is one of countless attempts at understanding the directions of the impact on the Brazilian social class and theatrical production after the outbreak of the Brazilian civil-military dictatorship (1964-1985). Within this context, the article emphasizes the influential role of the director and ideological formulator of Feira, Augusto Boal. The article also discusses the role of the newspaper O Estado de S. Paulo and its controversial decision to publicly support the São Paulo theater during the 1960s. |
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