O corpo do corpo de Arnaldo Antunes: representação sígnica dialógica
This article talks about the relationship between the body and sign, from the ideas of the Bakhtin Circle. The corpus analyzed is the spectacle Body (2000), designed from a disk of the same title (2000), by Arnaldo Antunes (AA). The aim is to reflect on the expressiveness of the body as a sign and t...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2012 |
| País: | Brasil |
| Recursos: | Universidade Estadual Paulista (UNESP) |
| Repositorio: | Repositório Institucional da UNESP |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.unesp.br:11449/125195 |
| Acesso em linha: | https://periodicos2.uesb.br/index.php/redisco/article/view/2680 http://hdl.handle.net/11449/125195 |
| Access Level: | acceso abierto |
| Palavra-chave: | Body Ideological sign|Semiosis Bakhtin Arnaldo Antunes Corpo Signo ideológico Semiose |
| Resumo: | This article talks about the relationship between the body and sign, from the ideas of the Bakhtin Circle. The corpus analyzed is the spectacle Body (2000), designed from a disk of the same title (2000), by Arnaldo Antunes (AA). The aim is to reflect on the expressiveness of the body as a sign and the signic body, since the dialogue between the word (the song) and the body in action makes up the human architectural spectacle. |
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