Performing Arts and Theories of Knowledge:: poetic research on the scene in the light of Thomas Kuhn’s ideas
This paper discusses the knowledge production in dance, as well as its dissemination. The distinctions between theories of knowledge and knowledge production are examined, seeking a commitment to the study of knowledge already produced in the field of dance and the involvement with the production of...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Brasileira de Estudos da Presença |
| Idioma: | inglés |
| OAI Identifier: | oai:seer.ufrgs.br:article/126391 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/presenca/article/view/126391 |
| Access Level: | acceso abierto |
| Palabra clave: | Performing Arts Epistemology Thomas Kuhn Theories of Knowledge |
| Sumario: | This paper discusses the knowledge production in dance, as well as its dissemination. The distinctions between theories of knowledge and knowledge production are examined, seeking a commitment to the study of knowledge already produced in the field of dance and the involvement with the production of knowledge from the artistic practice. |
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