The art ot cinema
The author proposes, for this edition's videography, a reflection on cinematographic language: how does cinema talk about itself, tell its own story and show itself as a language. for this, it emphasízes world cinema classics such as: Kid Auto Races at Venice and Behind the Screen, both by Char...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2002 |
| País: | Brasil |
| Recursos: | Universidade de São Paulo (USP) |
| Repositorio: | Comunicação & Educação (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:revistas.usp.br:article/37462 |
| Acesso em linha: | https://www.revistas.usp.br/comueduc/article/view/37462 |
| Access Level: | acceso abierto |
| Palavra-chave: | cinema cinematographic language silent movies spoken movies art surrealisrn linguagem cinematográfica cinema mudo cinema falado arte surrealismo |
| Resumo: | The author proposes, for this edition's videography, a reflection on cinematographic language: how does cinema talk about itself, tell its own story and show itself as a language. for this, it emphasízes world cinema classics such as: Kid Auto Races at Venice and Behind the Screen, both by Charles Chaplin; Elias Kazan's The Last Tycoon; François Trufíaut's La Nuit Americaine, Luis Bufiel's CAge d'Oc Robert Wiene's The Cabinet of Dr: Caligari; and, finally, Fritz Lang's M. The vampire of Dússeldoff |
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