Chronicles as memorials: the Brasilia of Clarice Lispector (and the temporary disappearance of the invisible)
Built upon alternating subjective and objective sentences, Clarice Lispector's first chronicle about Brasília (published on Senhor, 1963) is like an architectural memorial, half way between personal style and public celebration, with external reference and aim. In the following editions (from 1...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL) |
| Repositorio: | Revista da ANPOLL (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistadaanpoll.emnuvens.com.br:article/1522 |
| Acceso en línea: | https://revistadaanpoll.emnuvens.com.br/revista/article/view/1522 |
| Access Level: | acceso abierto |
| Palabra clave: | Clarice Lispector Brasilia Memorial Brasília |
| Sumario: | Built upon alternating subjective and objective sentences, Clarice Lispector's first chronicle about Brasília (published on Senhor, 1963) is like an architectural memorial, half way between personal style and public celebration, with external reference and aim. In the following editions (from 1970 Jornal do Brasil on) a sentence is missing about the "Estado totalitário"-like style of the city. Together with the omission of the sentence, its presentation as "invisible headline in the newspapers" is omitted. With censorship invisibility disappears, like the inexisting statues which Clarice celebrates as a catch-phrase. |
|---|