The theme revenge in the cinema: a literary philosophical approach
In this article, the focus is revenge, taking as a starting point two cinematographic works –Once upon a time in this article is revenge, taking as a starting point two cinematographic works once upon a time in West, by Sergio Leone, and also colors: White by Krzysztof Kieslowsk. Without the direct...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2016 |
| País: | Brasil |
| Recursos: | Universidade Federal da Paraíba (UFPB) |
| Repositório: | Aufklärung (João Pessoa. Online) |
| Idioma: | português |
| OAI Identifier: | oai:periodicos.ufpb.br:article/28385 |
| Acesso em linha: | https://periodicos.ufpb.br/index.php/arf/article/view/28385 |
| Access Level: | Acceso aberto |
| Palavra-chave: | vingança cinema literatura filosofia Filosofia Revenge Cinema Literature Philosophy |
| Resumo: | In this article, the focus is revenge, taking as a starting point two cinematographic works –Once upon a time in this article is revenge, taking as a starting point two cinematographic works once upon a time in West, by Sergio Leone, and also colors: White by Krzysztof Kieslowsk. Without the direct influence of a purely artistic appreciation of both movies, this is about a study of literary philosophical lineage by relying on classical seeks to provide an theoretical analyze of the theme, avoiding falling into an empiricist interpretation, trivial and shallow of the object. |
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