BEAUVOIR INTERPRETER BY MERLEAU-PONTY : the Phenomenology of perception and the progress of the phenomenological method

In the 1940s, studies on Husserl's phenomenological method had a great impact in France, attracting several intellectuals of the time, among them: Merleau Ponty and Simone de Beauvoir. In 1945, Merleau-Ponty published the Phenomenology of Perception, a work that synthesizes a phenomenological s...

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Detalhes bibliográficos
Autor: Da Motta, Lucas Joaquim
Formato: artículo
Estado:Versión publicada
Fecha de publicación:2020
País:Brasil
Recursos:Universidade de Brasília (UnB)
Repositorio:Pólemos (Brasília)
Idioma:portugués
OAI Identifier:oai:ojs.pkp.sfu.ca:article/29777
Acesso em linha:https://periodicos.unb.br/index.php/polemos/article/view/29777
Access Level:acceso abierto
Palavra-chave:Beauvoir. Corpo. Merleau-Ponty. Mundo. Fenomenologia.
Beauvoir. Corps. Merleau-Ponty. Monde. Phénoménologie.
Beauvoir. Body. Merleau-Ponty. World. Phenomenology.
Descrição
Resumo:In the 1940s, studies on Husserl's phenomenological method had a great impact in France, attracting several intellectuals of the time, among them: Merleau Ponty and Simone de Beauvoir. In 1945, Merleau-Ponty published the Phenomenology of Perception, a work that synthesizes a phenomenological system through the mutual relationship between the cognizant body and the expressive world. Soon after, Beauvoir wrote a review for the french magazine Les Temps Modernes (1945), analyzing the main arguments of Merleau Ponty's thesis, for example, how elementary consciousness acts towards the world and its ontological order. Thus, our intention is to establish a theoretical relationship between Beauvoir's review and the merleau-pontyano essay, as well as to emphasize two moments of the philosopher's review, namely: 1) how the concepts of cognizant body and expressive world form a fundamental correlation between each other; 2) and how these same concepts coat the various ontological faces of concrete existence.