The sacrifice of Abraham and their obscure visual possibilities
The biblical narrative paradigm chosen by Auerbach – which is contrasted to the Homeric episode of the discovery of the scar on the thigh of Ulysses, Odyssey–is, precisely, that of the sacrifice of Abraham. The plot prototypical by obscurity makes a glimpse of the signifier’s manifests into strange...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2008 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/13931 |
| Acceso en línea: | https://periodicos.ufmg.br/index.php/maaravi/article/view/13931 |
| Access Level: | acceso abierto |
| Palabra clave: | Sacrifício Abraão Arte Sacrifice Abraham Art |
| Sumario: | The biblical narrative paradigm chosen by Auerbach – which is contrasted to the Homeric episode of the discovery of the scar on the thigh of Ulysses, Odyssey–is, precisely, that of the sacrifice of Abraham. The plot prototypical by obscurity makes a glimpse of the signifier’s manifests into strange conflict with what cannot be expressed. The voice of God, as demonstrated by Auerbach, emerges from somewhere obscure, getting even so the prompt response of Abraham that, despite everything, was prepared to respond immediately and obediently to the so-called mysterious and that even is shifted, once the area of its manifestation isn’t etched in short narrative of the episode. |
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