The Crime as spectacle in documentary narrative: the Netflix series about Elize Matsunaga
If in the 19th century serials and fait divers guaranteed the public's emotion with shocking “realistic” narratives or based on news published in newspapers; today, the spectacle of crime can also be followed through contemporary series, transmitted via streaming, as is the case of Elize Matsun...
| Autores: | , |
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Brasil |
| Recursos: | Universidade Federal Fluminense (UFF) |
| Repositorio: | Mídia.e.Cotidiano |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/57783 |
| Acesso em linha: | https://periodicos.uff.br/midiaecotidiano/article/view/57783 |
| Access Level: | acceso abierto |
| Palavra-chave: | Audiovisual serie documental narrativa crimen Netflix Narrative crime audiovisual documentary series Narrativa |
| Resumo: | If in the 19th century serials and fait divers guaranteed the public's emotion with shocking “realistic” narratives or based on news published in newspapers; today, the spectacle of crime can also be followed through contemporary series, transmitted via streaming, as is the case of Elize Matsunaga: Once Upon a Crime (Netflix/2021). To this end, an overview of the media role in narratives about real crimes is outlined (MEYER, 1996; BROOKS, 1995; SINGER, 2004). The paper also discusses the spectacularized life in the voice of the confessed defendant herself (SCHWARTZ, 2004; SIBILIA, 2008; GUNNING, 2004) to finally take a look at the narrative structure of the documentary series (MUNGIOLI, 2017; ECO, 1989; 1997). |
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