Self-definition against cis-heterossexist terrorism:: theoretical and methodological aspects to approach coming out of the closet
This article brings together theoretical and methodological elaborations to analyze the coming out processes of the black bichas in the Guardei no Armário Project. From an intersectional perspective (Collins, 2016; 2017; 2019), we start from a bicha perspective, a viado’s subjective “universe” to th...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio de Janeiro (UFRJ) |
| Repositorio: | Revista Eco-Pós (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistaecopos.eco.ufrj.br:article/28383 |
| Acceso en línea: | https://revistaecopos.eco.ufrj.br/eco_pos/article/view/28383 |
| Access Level: | acceso abierto |
| Palabra clave: | Interseccionalidade bicha LGBTI cis heterossexismo saída do armário Intersectionality cis-heterosexism come out of the closet Interseccionalidad cis-heterosexismo salir del armario |
| Sumario: | This article brings together theoretical and methodological elaborations to analyze the coming out processes of the black bichas in the Guardei no Armário Project. From an intersectional perspective (Collins, 2016; 2017; 2019), we start from a bicha perspective, a viado’s subjective “universe” to the autobiographical narratives collected and shared, based on the analytical operationalization of the concept of self-definition and its relationship with other references. Bicha’s escrevivência [writing-living], as a result of a “resistant subjectivity” (Lugones, 2019), is inscribed in the infrapolitical sphere, challenges heteronormative cis controlling images and requires other epistemological constructions to discuss its political existence (corporeal, discursive, performative) in the communicational field. |
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