Beyond the Impressionist label: the critical debate on the Viscontian case in Brazil
This article discusses Impressionist’s influence on Eliseu Visconti’s paintings. It reviews some art critiques in the 1940s and 1950s, Frederico Barata, Sérgio Milliet and Mário Pedrosa, which established a discussion about Visconti's contribution to Brazilian modernism, through the introductio...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal de Goiás (UFG) |
| Repositorio: | Visualidades (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistas.ufg.br:article/61583 |
| Acceso en línea: | https://revistas.ufg.br/VISUAL/article/view/61583 |
| Access Level: | acceso abierto |
| Palabra clave: | Eliseu Visconti Impressionismo Crítica de arte Impresionismo Impressionism Art criticism |
| Sumario: | This article discusses Impressionist’s influence on Eliseu Visconti’s paintings. It reviews some art critiques in the 1940s and 1950s, Frederico Barata, Sérgio Milliet and Mário Pedrosa, which established a discussion about Visconti's contribution to Brazilian modernism, through the introduction of Impressionist painting. This article discuss Impressionism as an artistic model assimilated by Visconti, it seeks to understand the Impressionism’s reception context in Europe and Brazil, to understand how Impressionism changes its meaning in Visconti’s work. |
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