JAPANESE MARTIAL ARTS: BODY PRACTICES THAT REPRESENT THEIR CULTURAL IDENTITY
Implantation and spread of Japanese martial arts in the West supposed the importation of social-cultural and private practices of the premises of their context of origin. How to face up to these practices alien to our cultural identity? A strict interpretation requires they have to be understood as...
| Autores: | , , |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2011 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Movimento (Porto Alegre. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:seer.ufrgs.br:article/21569 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/Movimento/article/view/21569 |
| Access Level: | acceso abierto |
| Palabra clave: | Martial arts education. Budo. Teaching. Mind and body Artes marciales educación. Budo. Enseñanza. Mente y cuerpo. Educação Física Artes marciais educação. Budo. Ensino. Mente e corpo. |
| Sumario: | Implantation and spread of Japanese martial arts in the West supposed the importation of social-cultural and private practices of the premises of their context of origin. How to face up to these practices alien to our cultural identity? A strict interpretation requires they have to be understood as body practices with a cultural idiosyncrasy and characterized by incorporating a living experience in which the body has a prominent place. Their teaching and learning are set through a triangular system consisted of a spiritual essence, a technical way and a physical structure (shin-gi-tai) which is inserted in a singular process (shu-ha-ri). |
|---|