"Urbanization of the province": : Moliére and the ridicule category
If something becomes laughable for nothing, for simple nonsense, contradicting expectations, the ridicule imposes a dialectics. What appears ridicule is not only laughable, but also ascribes a value to itself, even the opposite, and behaves as if it was a gift. The laughable is the fl eeting, pure a...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Brasil |
| Institución: | Universidade Federal de Ouro Preto (UFOP) |
| Repositorio: | Artefilosofia |
| Idioma: | portugués |
| OAI Identifier: | oai:pp.www.periodicos.ufop.br:article/764 |
| Acceso en línea: | https://periodicos.ufop.br/raf/article/view/764 |
| Access Level: | acceso abierto |
| Palabra clave: | Comedy Ridiculous Risible Molière. Comédia Ridículo Risível |
| Sumario: | If something becomes laughable for nothing, for simple nonsense, contradicting expectations, the ridicule imposes a dialectics. What appears ridicule is not only laughable, but also ascribes a value to itself, even the opposite, and behaves as if it was a gift. The laughable is the fl eeting, pure appearance. When attributing to itself a value, on the contrary, the ridicule raises a pretension to recognition, and by doing it, grants us the premise from which a pedagogic function is attributed to comedy. Reflections like that are here developed starting from the texts of Molière, especially, The Precious Young Maidens. |
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