Um corpo, muitas cabeças: cosmologia e diálogos sobre as ritxoko cabeça-muita do Museu do Índio do Rio de Janeiro
Ritxoko dolls are instruments for the preservation and propagation of the culture of the Iny Karajá people, and they have different meanings and characteristics beyond the routine and habits of the Inyrybè-speaking people. Thus, cosmology and supernatural stories find an important space amongst the...
| Autores: | , , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal de Goiás (UFG) |
| Repositorio: | Hawò |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistas.ufg.br:article/72214 |
| Acceso en línea: | https://revistas.ufg.br/hawo/article/view/72214 |
| Access Level: | acceso abierto |
| Palabra clave: | Ritxoko Projeto Presença Karajá Iny Karajá Museus Cosmologia Ritxoko. Projeto Presença Karajá. Iny-Karajá. Cosmologia Karajá Presence Project cosmology museums |
| Sumario: | Ritxoko dolls are instruments for the preservation and propagation of the culture of the Iny Karajá people, and they have different meanings and characteristics beyond the routine and habits of the Inyrybè-speaking people. Thus, cosmology and supernatural stories find an important space amongst the themes modeled by the ceramists. Based on the "Presença Karajá" Research Project, it has been possible to digitally map the dolls of Museu do Índio in Rio de Janeiro, with a peculiar and extensive collection dating from the 20th century. Therefore, the purpose of this work is to weave dialogues between the descriptions imputed by the museum in the "much-headed" dolls in the collection in comparison with the possible meanings attributed to them by the Iny people themselves. The decolonial bias present in the Project stimulates and drives this desire for the expansion of dialogues between the Iny Karajá people, the museological community and the bibliographies about ritxoko dolls. |
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