Principles of automediality and (audio)visual story in (auto)biographical training and research

This article proposes some principles to understand, apply and explain automediality in relation to the (audio)visual story in (Auto)biographical Training and in Research, based on experience as a teacher and researcher in Ibero-American universities and on the reflections that emerged from my thesi...

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Detalhes bibliográficos
Autor: Marín Ossa, Diego Leandro
Tipo de documento: artigo
Estado:Versão publicada
Data de publicação:2023
País:Brasil
Recursos:Associação Brasileira de Pesquisa (Auto)Biográfica (BIOgraph)
Repositório:Revista Brasileira de Pesquisa (Auto)biográfica
Idioma:espanhol
OAI Identifier:oai:ojs.revistas.uneb.br:article/17267
Acesso em linha:https://www.revistas.uneb.br/index.php/rbpab/article/view/17267
Access Level:Acceso aberto
Palavra-chave:Automedialidad
Relato (Audio)visual (Auto)biográfico
Investigación (Auto)biográfica
Competencia Mediática
Práctica Productiva
Automediality
(Auto)biographical (audio)visual story
(Auto)biographical research
Media competence
Productive practice
Automedialidade
Relato (audio)visual (auto)biográfioc
Pesquisa (auto)biográfica
Competência midiática
Prática produtiva
Descrição
Resumo:This article proposes some principles to understand, apply and explain automediality in relation to the (audio)visual story in (Auto)biographical Training and in Research, based on experience as a teacher and researcher in Ibero-American universities and on the reflections that emerged from my thesis research in the PhD in Communication and Journalism at the Autonomous University of Barcelona, ​​in the Communication and Education research line. Media and Information Literacy. With this aim, I begin with the definition of automediality (MOSER, 2019), then I continue with the coordinates of the (audio)visual (auto)biographical story (MARÍN OSSA, 2022), then I briefly explain how the intersection between research, autobiography and education occurred, and the importance of the thematic seminar, ending with a reflection on productive practice as a (self-)critical reading of oneself and of the world in which (self-)updating and (self-)transformation of (auto)biographical glances take place.